What We Leave Behind
The vet's office smelled of antiseptic and forced calm. Elena sat in the plastic chair, her hands trembling around the carrier. Inside, Barnaby—her seventeen-pound rescue with the attitude of a much larger dog—let out a pathetic yowl.
"First time?" The woman next to her wore a red felt hat, the kind Elena's mother would have called jaunty. Gray hair escaped from beneath it in wisps.
"Last time," Elena said. "He's not coming home."
The woman's face softened. She reached into her purse and pulled out a photograph. "This was Cleo. My cat of twenty years. She hated everyone but me."
Elena looked at the photo. The cat looked regal, unimpressed. "Barnaby hates everyone. Including me, most days."
"That's how you know they love you."
They sat in silence. The fluorescent lights buzzed. Elena thought about the apartment waiting for her, the bowls she'd need to pack away, the corner where Barnaby's bed sat empty already. Her mother had died three months ago. Now this. The accumulating losses felt like stones in her pockets.
"My mother wore hats like that," Elena heard herself say. "Big, ridiculous ones. She said a hat was armor for the world."
The woman smiled, touching the brim. "This was hers. My mother's, I mean. She's been gone two years, but I still reach for it on rainy days."
The technician called Barnaby's name.
Elena stood, her legs unsteady. "I don't know if I can do this."
The woman stood too, clasping Elena's hand. "You can. You'll go home to an empty apartment and it will hurt like hell. But then one day you'll realize you went three hours without thinking about the sound of their purr. And then one day, you'll realize it's been a week. And eventually, you'll find yourself at a shelter, falling in love with something that needs you."
She pressed something into Elena's palm—a small cat figurine carved from wood.
"Take this. Cleo loved to knock it off the shelf. It's not armor, but it's something."
Elena nodded, unable to speak. Behind her, the woman in the red hat was already taking a clipboard from the receptionist. Someone else's beginning.
The world would keep ending. That was the terrible, beautiful truth of it. But somehow, impossibly, it would also keep beginning again.