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What the Water Remembers

hairgoldfishpapayaswimming

The apartment had stopped smelling like him three weeks ago, but Maya still found herself searching for traces of Elias in the corners where memory lingered. This morning, it was a single strand of his hair—curled and copper-colored—caught in the drain of the bathroom sink. She held it between thumb and forefinger, this evidence of his existence, before letting it wash away into the darkness below.

On the kitchen counter, the papaya she'd bought yesterday sat uneaten, its skin freckled with brown. Elias had loved them sliced thin with lime, a habit he'd picked up during those months in Brazil. She'd bought it out of muscle memory, standing in the produce section without thinking, reaching for the fruit they used to share on Sunday mornings. Now it would rot, like all the other rituals she couldn't bring herself to perform alone.

The goldfish — absurdly named Captain Beefheart by Elias, who had a weakness for experimental music and bad puns — swam lazy circles in its bowl on the windowsill. It had been his idea to get it, something to "liven up the place" during those first heady months of their relationship. Two years later, the fish outlasted whatever it was that had happened between them. The slow dissolution, the way love could erode like coastline, not dramatically but gradually, until you woke up one day and realized you were standing on the edge of something unrecognizable.

"You're swimming in circles too, aren't you?" Maya whispered to the fish, its orange scales catching the morning light. The fish ignored her, continuing its endless circuit.

At 7:30 AM, her phone buzzed. A text from Elias: *Can I come by? I left my good jacket.*

Maya typed and deleted three responses before settling on: *Door's unlocked.*

She walked to the community pool in the building's courtyard, stripped to her swimsuit, and slid into the water. Swimming had always been her way of thinking through things she couldn't articulate aloud — the rhythmic stroke, the muffled world below the surface, the way her body became something efficient and purposeful rather than this collection of grief and longing and angry resignation.

Twenty laps later, she pulled herself from the water, dripping and transformed. The problem wasn't that she missed him — or not entirely. The problem was that she missed who she had been with him, the version of herself that believed in permanence, that bought papaya on Sundays and laughed at terrible fish names and thought love might be something you could keep.

She found him in the kitchen when she returned, wet hair plastered to her neck, water pooling on the floorboards. He was holding his jacket, hesitating at the door. The papaya still sat on the counter between them.

"Maya," he said, and her name sounded like a question he didn't know how to finish.

"Just take it, Elias."

He did, but paused at the threshold. "The fish needs food. I was going to—"

"I can feed a goldfish. I'm not helpless."

"I know. I just..." He ran a hand through his hair — that same copper that had been caught in her drain this morning. "Take care of yourself, Maya."

She watched him walk down the hallway, listened for the elevator, then returned to the windowsill where Captain Beefheart continued his patient orbit.

"Well," she said aloud, reaching for the fish food. "It's you and me now."

The papaya could wait until tomorrow. Some Sundays, you had to start over.