The Riddle of Everything
Maya's instagram-worthy life felt like a carefully curated lie. She watched everyone else's posts like a spy gathering intel—Zoe's perfect boyfriend, Jake's basketball scholarship, Chloe's effortless popularity. Her thumb hovered over her iPhone screen, doom-scrolling through highlight reels that made her ordinary existence feel basic AF.
Her room was her sanctuary, where her pet goldfish Finneas swam in endless circles. She'd rescued him from a carnival prize booth freshman year, and somehow he'd survived despite her questionable caretaking skills. Finneas didn't care about follower counts or whether she'd made varsity. He just wanted his flakes and to not get eaten by the filter.
"You're the only one who gets it, Finneas," she murmured, tapping the glass. He blew a tiny bubble in response.
She'd spent junior year feeling like a riddle she couldn't solve. Who was she beyond the labels—quiet girl, decent student, Zoe's less interesting friend? The school's annual mythology project had everyone obsessing over the sphinx and its impossible question: "What walks on four legs in the morning, two legs at noon, and three legs in the evening?"
Mr. Harrison had made them write about what the sphinx would ask today's teens. Maya's answer surprised her: "What matters more—how many people think you're worth following, or who actually sees you?" She'd written about the difference between being watched and being known.
Zoe had read it and finally asked, "Is that why you never post anything real?"
Maya had shrugged. "Maybe nothing about me is worth posting."
"That's cap," Zoe said unexpectedly. "You're literally the only person I can actually talk to. Everyone else is just performing."
The comment had unlocked something. Maya posted an unedited photo of Finneas with the caption "my emotional support fish." It got 47 likes—not viral, but real.
Now, as senior year approached, she still checked Instagram like a spy monitoring enemy territory. But she also started posting weirdly specific content: Finneas's bubble-blowing technique, her terrible attempt at painting, her actually-decent poetry. The sphinx's riddle wasn't about stages of life—it was about accepting all the messy, awkward parts of being a work in progress.
"We're both just swimming in circles, buddy," she told Finneas. He did a little flip, and Maya smiled. Some truths were simple, even when everything else felt impossibly complicated.