The Pyramid Scheme
The cafeteria social pyramid was as rigid as geometry class. Table one: varsity jackets and perfect hair. Table five: band kids with instrument cases. Table sixteen: me, picking at a sad-looking orange while doomscrolling through my iphone.
"You're doing that thing again," said Riley, sliding onto the bench across from me. She grabbed my hand, palm up, and traced the lifeline with her purple fingernail. "You're spiraling."
"I'm not spiraling. I'm observing." I pulled my hand back. "Unlike some people, I don't have my entire life mapped out like a fortune teller's cheat sheet."
Riley, who read palms at parties for twenty bucks, just grinned. "Funny you should mention that. Because I see something in your future."
"Let me guess. Another Friday alone?"
"No." She leaned in conspiratorially. "A pyramid scheme."
I laughed. "Hard pass. Last time someone tried to recruit me into one of those, I ended up with three boxes of unsold protein shakes."
"Not that kind." Riley pulled out her phone and showed me a group chat: PYRAMID COLLECTIVE. "It's this underground art thing. Kids submit work anonymously, and everyone votes on whose gets displayed in the empty hallway near the gym. The winner's piece becomes the base for the next round. Building up, you know? Like a pyramid."
I stared at the screen. "And you think I should—"
"I think you've been drawing in that sketchbook since September and literally no one has seen a single page." Riley's cat, a chaotic orange tabby named Cheeto, jumped onto the table and batted at my orange peel. "Even Cheeto thinks you're being dramatic."
"Your cat just tried to eat my lunch."
"He's making a point." Riley's expression softened. "Maya, you're sitting at table sixteen because you put yourself there. The pyramid isn't the problem. Your fear is."
The words hit harder than I expected.
That night, I submitted a drawing. Nothing special—just my cat back home, sleeping in a sunbeam, orange fur glowing like embers. I pressed send with shaking palms and threw my phone across my bed like it was radioactive.
Three days later, I walked past that hallway and stopped.
There it was. My drawing, printed larger than I'd imagined, surrounded by a dozen other pieces. A pyramid of anonymous art, each piece supporting the next, built by kids who were tired of sitting at the wrong tables.
Riley appeared beside me, grinning. "Table sixteen is just a place to sit, Maya. It's not where you live."
For the first time all year, I put my iphone in my pocket and didn't reach for it once. Some pyramids aren't meant to keep you out. They're meant to help you rise.