The Goldfish Age
The fox appeared at dusk, a streak of rust against the snow, and Elena pressed her forehead against the cold glass. She'd been watching it for three nights now—this wild, liquid thing that moved like it owed nothing to anyone.
Behind her, the cat named Nothing watched with her, golden eyes tracking movement through the window. Nothing was the only living thing in this apartment that still seemed to give a damn.
"You're going to wear a groove in the glass," Marcus said from the couch, eyes fixed on the television where people screamed and ran from things that used to be human. He'd been watching zombie shows for six months. She thought it was research once, back when he still talked about his screenplay. Now it was just noise.
The goldfish, Christopher, swam his endless circles in his bowl on the windowsill. Seven years. Longer than their marriage. Longer than she'd felt like herself.
She looked at the cables snaking across the floor—internet, television, charging cords, everything tethered to everything else, including her. She worked from home now, her laptop lifeline to an office she'd visited twice this year. Remote work, they called it. Remote life, she thought.
"Did you hear me?" Marcus asked.
"No."
"I said, did you feed Christopher?"
"Not yet."
The fox was gone now. Probably back to its real life—hunting, mating, sleeping under real stars instead of this orange glow that passed for night in the city.
Elena thought about the word zombie. She'd looked it up once—derived from the Kikongo word for "spirit" or "ghost." A soulless body reanimated by magic. But magic wasn't what kept her moving. It was habit. Fear. The peculiar way a life could harden around you like concrete, and you'd forget you were the one who'd poured it.
She looked at Christopher, suspended in his perfect little world, and realized with perfect clarity that in seven years, he had never once tried to get out.
The next morning, she packed a suitcase while Marcus slept. She didn't leave a note. Notes were for people who believed in endings, and endings implied something had truly begun.
She left Nothing with Marcus—the cat liked him better anyway. But she took Christopher's bowl, cradling it in the passenger seat like something holy.
Somewhere in Ohio, she pulled over at a rest stop and found a pond. She lowered the bowl into the water and watched Christopher swim away, awkward at first, then fast, disappearing into the dark depths like he'd been waiting his whole life for this moment.
A fox watched from the treeline.
"You're welcome," she said, and got back in the car.