The Art of Drowning Slowly
The kitchen faucet leaked, and she couldn't stop watching the water spiral down the drain. Three years of marriage, reduced to plumbing problems and silence.
Marcus stood at the counter, chopping spinach with violent precision. The knife hit the cutting board—thock, thock, thock—like some desperate metronome. She wanted to grab his wrist, ask him when they'd started becoming strangers who shared a bed and a mortgage.
"Your mother called," he said, not looking up. "Asked if we're still coming Sunday."
"What did you say?"
"I said we'd see."
The spinach lay in green ruins, like something that had already been chewed and spit out. Their marriage used to be so vivid it frightened her sometimes—how quickly they'd tumbled into bed that first night, how he'd confessed his father's abandonment over whiskey sours, how she'd told him about the abortion she'd never told anyone else. Now they were two people who'd forgotten how to be alone, but also forgotten how to be together.
She thought about running. Not the metaphorical kind—she'd been doing that for months. Actually running. Lacing up her shoes and fleeing this house with its closing walls and suffocating politeness. The palm of her hand ached where she'd pressed it against the window frame earlier, watching autumn collect itself in the yard like evidence.
"You remember that baseball game?" Marcus asked suddenly, setting down the knife. "Last inning, tying run on second, and you just—left?"
"I had a migraine."
"You walked three miles home in the rain because you couldn't stand sitting beside me for another inning."
The accusation hung there, and she realized he was right. She'd been running from something long before this kitchen, this silence, this leaking faucet that nobody fixed.
"I'm sorry," she said, and the words felt foreign, inadequate. Like trying to hold water in her hands.
Marcus turned then, and she saw something break in his face. Not anger—that would have been easier. A kind of exhausted surrender.
"I don't want your sorry," he said quietly. "I want to know if there's anything left to save."
She looked at the spinach, the faucet, the man she'd loved so desperately once. The palm of her hand still ached from the window frame. Everything in her wanted to lie, to promise that of course there was something worth saving, of course she wasn't already halfway out the door in her mind.
Instead, she told the truth: "I don't know anymore."
He nodded, once, and went back to chopping. The knife hitting the board—thock, thock, thock—sounded like something ending, or maybe something finally beginning.